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9 Replies to “ Allegro Appassionato - Brahms*, Sviatoslav Richter, Chicago Symphony Orchestra*, Erich Leinsdorf - Concerto No. 2 (Vinyl, LP) ”

  1. Back in the '50s and '60s when RCA was one of the two dominant American classical record companies, the big debate was over which of their two recordings of Brahms Piano Concerto in B flat major was better: the Emil Gilels with Fritz Reiner from or the Sviatoslav Richter with Leinsdorf from Both are with the Chicago Symphony at the peak of its strength and sensitivity.
  2. This is THE Brahms 2, played by Richter at his best - his magnificently commanding virtuosity at its most smilingly joyous and confident, and Leinsdorf and the orchestra are on equally great form. The recording presents a realistic acoustic and balance, and the strings sound as they should - like a BODY of instruments, surpassing many a more modern cefalumblitihuropimitorubti.cos:
  3. Apr 25,  · I. Allegro non troppo II. Allegro appassionato III. Andante IV. Allegretto grazioso 아르투르 루빈스타인 (피아노) Artur Rubinstein (piano) 샤를 뮌쉬 (지휘.
  4. Concerto for Piano and Orchestra no. 2 in B-flat major, op. IV. Allegretto grazioso ( – ) (track B2) Release.
  5. Oct 28,  · Brahms* – Sviatoslav Richter, Chicago Symphony Orchestra*, Erich Leinsdorf: Brahms* – Sviatoslav Richter, Chicago Symphony Orchestra*, Erich Leinsdorf - Brahms Concerto No. 2 ‎ (LP, Album) RCA, RCA Red Seal: LM , LM Spain: Sell This Version/5(8).
  6. Brahms*, Sviatoslav Richter, Chicago Symphony Orchestra*, Erich Leinsdorf: Brahms*, Sviatoslav Richter, Chicago Symphony Orchestra*, Erich Leinsdorf - Concerto No. 2 ‎ (LP, Mono) RCA Red Seal, RCA Red Seal: RB, (LM) UK: Sell This Version5/5.
  7. Brahms: Piano Concerto No. 2. RCA: Buy download online. Sviatoslav Richter (piano), Chicago Symphony Orchestra, Erich Leinsdorf.
  8. Brahms* / Sviatoslav Richter, Chicago Symphony Orchestra*, Erich Leinsdorf - Concerto No. 2 ‎ (LP) RCA Victor Red Seal, RCA Victor Red Seal LSC, LSC /5(5).
  9. The Chicago Symphony Orchestra under Erich Leinsdorf provides Richter a resplendent, magnificent canvas on which to portray the genius of Brahms. The sound is early RCA Victor stereo, which set very high standards and was rarely matched subsequently by RCA and the industry in later decades, especially in the concerto repertoire/5(17).

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